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    Gordon Williamson

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    Posts posted by Gordon Williamson

    1. Sounds like its a simple typo. I've seen countless different versions used, Cello, Celleon, Cellon, Cellulon etc etc but if the term Cellon is used in a period publication then it is most likely the correct spelling. Celleon seems widely used in Germany too. Quite possibly, like the situation with the identification of the W trademark as Wernstein instead of the correct Wiedmann, it is a case of an old misinterpretation being picked up and used without question.

      To me the important thing is that the meaning of the term being used is clear ( and my understanding is with the thicker "wrapped" thread made to replace metallic threads ) in which case its a simple use of wrong spelling but the meaning is correct.

      I'd be more concerned with the common misuse I see of the term Celleon to describe the yellow rayon thread "artificial silk" woven material too, which is clearly incorrect.

    2. Personally, I find the Juncker Eagle the 'strongest' and most visually pleasing.

      Absolutely ! The Schickle type is also rather nice, probably my second favourite, and the possible Deumer has a rather well executed head to the eagle too.

      No matter how well struck or finished some of the others are, there is something too "Muppet-like" about the eagles for them to be truly attractive .

      Juncker - now thats an eagle. !

    3. The most common of all, Type 5 with the so called "shield shaped" chest to the eagle.

      Used by at least the following ( and probably more as unmarked specimens are also knownm which have reverse fittings which do not conform to the six firms identified here)

      Left to right top row

      Foerster & Barth, Pforzheim

      Meybauer, Berlin

      Mayer, Pforzheim

      Left to right bottom row

      Friedrich Orth, Wien

      Rudolf Souval, Wien

      E. Ferd. Wiedmann, Frankfurt

    4. Whilst I would be hesitant to buy anything from such poor images, I do think it has a chance. These new photos certainly show a more believable toned yellow gold colour rather than the brighter yellow that the modern fakes have used. On many of the copies the weave pattern on the reverse is totally wrong,. but on some it is quite accurate though the materials themselves are often wrong (modern synthetics ).

      I think this one would probably need an "in hand" inspection to be comfortable with it.

      Attached a scan of the reverse of mine. This came from Detlev Niemann with a large grouping of around 60 documents ( Soldbuch, Award Documents, etc etc) to a Hipper crewman.

    5. I can also see several differences in the outline profile shape, just a few indicated here, but there are several.

      Bearing in mind the AS ball hinge type Minesweeper and the unmarked one in the same style but which shows several minor differences in die characteristic, and some think is from a different maker, I think we can certainly call this one a Foerster & Barth style but can't be 100% sure.

      My own thought is that it may well be from F&B but from a different set of tooling. For a badge like the Minesweeper which was made in very large numbers its quite possible that some firms had more than one set of tooling.

      The early Tombak and late Zink pieces above are identical and clearly come from the same set of tooling. This one is almost identical but I'd say not from the same tool.

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