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    Markus

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    Posts posted by Markus

    1. Judging by the photo background :whistle: it is yours!

      Congrats! :beer:

      Very nice Markus, I especially like the gold rays. That's very uncommon.

      It's an early Persian lion so around the 1880s?

      Hi Nick! Yes, you are very observant! Lol! Thanks for your additions!

      Hi Gavin, yes I think it is probably a 1870's time frame. The gold foil rays are the underlayment that used to be covered with red enamel. Most of the enamel has chipped off over time.

    2. Another early Persian made Lion and Sun of Military class. Red enamel remnants on the rays. The rays of a First class generally have eight rays, but some of the earlier L&S have more rays such as this one with ten rays. Does anybody have any clues as to why or when larger number of rays were made on the L&S medal? Also see page 4 post #69 on this thread, which has 16 rays.

    3. This beauty, a 4th class with "diamonds" and "emeralds" is up on the auction block at Carsten Zeige on May 4th, opening price of 5000 Euro. The medallion is persian made, but the quality of the jeweled portion of the medal look too good for Persian made. I am guessing that the Russian Jeweler made the medal using a Persian medallion painting.

    4. Wow, talk about bling! How much do these go for at auctions Markus?

      I still can't shake that suspicion that some folks buy diamond encrusted orders to break out the diamonds ...

      Hi Gavin!

      Here is a similar order without stones that you may remember from the Tamman Auction 80, lot 733. It went for 10,000 Swiss Franc and adding auction commissions probably went out the door for close to 14,000 US dollars. I asked a dealer that had a few of the Nishan-iMoqaddas pieces listed for sale and he told me he recently sold a "crudely made Persian made one with glass stones" to a collector for $200,000 US, so the nicely made European made samples would sell for more! :speechless1:

      Markus

    5. Thanks Mitya & Nick for great posts! The Legion of Honour Nishan-i-Moqaddas piece looks like the ones on display in Istanbul at the Topkapi Palace museum. Not sure if these are diamonds or glass stones either, but they are quite rare since they were given out only to heads of state and command crazy prices on auctions when they do pop up once every blue moon. With such fine workmanship and the type of medallion paintings, I think they are all French made.

      Also see post #100 and #110 in this thread, Nishan-i-Moqaddas.

    6. This is a Dazeville of Paris made 3rd class, Lion and Sun. The Dazeville maker plate does not appear very often. I have seen a few breast stars with this Lion and Sun painting but always without a maker Plaque. Does any body have any references to the Dazeville maker. So far, I haven't found any maker history for Dazeville.

    7. Hey Nick! Thanks for all your incredible posts across GMIC threads. Wishing you a great new year! The Persian medal in post # 694 really shows the construction process of the rays utilized in Persian Lion & Sun medals. It appears that a gold foil underlayment was coated with an enamel that flakes off quite easily. Many of the old Persian made medals are missing the gold foil underlayment and the enamel on the rays. The European made Lion and Sun medals have a cast gold enamel bed that is filled with glass enamel and affixed as individual units to the medal, thereby making them more resistant to the ravages of time.

    8. A 2nd Class Kretly made breast star of early vintage, made in the last half of the 1800's. There is some debate among collectors about this style of breast star with stars fixed beween the rays, some sources saying that it is a pre-1872 style and other sources indicating that they have seen this style with award documents to prove that this style was issued after that 1872 time period. Incredible workmanship!

    9. A Kretly made 4th class Lion & Sun badge. Very nice workmanship and the first time I have seen this lion painting style. An early type, probably late 1800's with re-pierced medal work. So far most of the plaques seem to have this 46 Galerie Montpensier, Palais Royal address. There was a later address for this firm at 5 Avenue de L'Opera, but I have never seen a Kretly maker plaque with this address.

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