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    Richard Gordon

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    Posts posted by Richard Gordon

    1. Jacques/Marcus, thanks for the comments.

      Regarding the different styles of central medallion, if I recall correctly, wasn't this down to the different makers? Ega?a being the most known ( I have no idea who the other makers are ) and recognised by the enamelled berries?

      Rich

    2. John

      Good point about IMME, also look at GWL... not exactly blued! These are traits from those makers BUT what we cannot argue or dispute is that Juncker did blue the eagles as per the design specification so I can only deduct that when these Junckers flight badges are found with no bluing, it is a result of wear or cleaning.

      Anyway, we're slipping away from the original thread... BTW I agree with you on the badge being the 1st pattern and the additional points you mentioned to look for in distinguishing between '1st' and '2nd' designs. I just usually found the head to be the easiest point to focus on but your observations are also useful.

      I just wish we could work out if CEJ pre-dated the C.E, Juncker mark or whether they both were in use for a time together until the CEJ mark was eventually dropped.

      Rich

      :rock on:

    3. Personally, I don't believe in the 'all silver' theory.

      Firstly, why would it be made that way when design of the badge incorporates a darkened the eagle? I just doubt Juncker would ignore the design finishing specifications. Besides it just looks so much better with the contrast of the blued eagle (my opinion, of course!).

      Secondly, you can see from the reverse of badge in question that there is blueing on the wing-tips. Excessive cleaning will easily remove the blueing, especialy products such as silver dip which will remove the blued finish very quickly and leave no trace of scrubbing, etc.

      But just because I'm not a believer does not make my views right. John, I'd love to see these period photos of pilots in evening dress. Can you post them?

      Rich

    4. I would agree it's too heavy for aluminum. I would have though it could be neusilber as there seems to be no base metal showing through on worn spots (other than the hinge and catch).

      Having said that it looks like the '2nd' model but a clearer shot of the head, especially the eagle's eye would clear that up as it seems to be the only visual difference between the two.

      FYI, the '1st' model example I have (neusilber) weighs 22.0g and the tombac one I have is 25.0g so perhaps tombac is correct.

      Rich

    5. Brian

      I've been thinking about your dilemma since you started this thread.

      When we see engraved pieces, there really is no telling if the engraving was made just after the piece was awarded (but still in war-time) or whether the recipient had it engraved after that war ended. Absolutely no way of telling if it was the 30's, 40's, 50's etc. Just look at that thread on the engraved 1914 EK1. If the font looks period, it seems it is acceptable even if the aging is not present.

      You are the direct descendant and custodian of these awards and therefore I do not see a problem with you having these pieces engraved. I would not, however, have them laser engraved or engraved in any other modern way. I would have it done, by hand, by a skilled engraver in the correct font that matches the period of the award. I would also keep the engraving as small and as discreet as possible.

      Good luck with your final decision for it surely is a tough decision to make.

      Rich

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