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    War Service cross for an opera singer...


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    Here is a ocument for a woman who was one of the most famous and critically acclaimed opera singers of the years between the wars.

    She was one of less than 10 who sang in the highest Wagner circles in the 20s. She was not THE best, but google will find her....

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    Hoping this helps. Got this from this site and if you go there there's a link to hear her sing -

    http://www.cantabile...c_sopranos.html

    Gertrude Kappel (1884 - 1971)

    <P align=left>Biographical notes: Gertrude Kappel was born in Halle. Like Marta Fuchs, she began her studies as a contralto, but soon changed to a soprano, making her debut in 1907 as Leonore at the Hoftheater Hanover, where she was engaged until 1921. From the beginning of her career she concentrated on dramatic roles. From 1922 - 1927 she was engaged by Richard Strauss at the Vienna Staatsoper where she became an admired member of the company. At Covent Garden she appeared from 1912 - 1914 and returned in 1924 - 1926. Her roles included Brünnhilde, Isolde, Sieglinde, Senta, the Marschallin and Elektra, as well as a few roles of the Italian and French repertory. In London Gertrude Kappel faced strong competition with the great Frida Leider. She appeared at the Salzburg Festival, where she sang Donna Anna (1922) and at the Munich State Opera from 1927 - 1931. She made her Metropolitan debut in 1928 as Isolde, subsequently singing her most important roles: Ortrud, Fricka, Brünnhilde, the Marschallin and Elektra (first Metropolitan performance in 1932). Her art was unfortunately overshadowed by the singing of Kirsten Flagstad and Marjorie Lawrence. She repeated Isolde at San Francisco in 1933 and retired in 1937. She died in her home near Munich in 1971.

    As Brünnhilde in "Die Walküre"

    As Octavian

    As Elektra

    Charles B. Mintzer (pictures)

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    • 3 years later...

    Born in Halle, Germany, she studied at the Conservatory in Leipzig; during her studies her voice changed from contralto to soprano. She made her debut (1903) at the Hannover Opera as Leonore in Fidelio and remained there until 1924. Her voice soon became a dramatic soprano and she earned great renown as a Wagner singer. She was a member of the Vienna State Opera (1924-29) and was greatly admired there. She was engaged at the Munich State Opera (1929-32), Guest appearances brought her additional fame, particularly in Wagner parts; she appeared at Covent Garden, in Berlin, Hamburg, and Amsterdam. She was a member of the Metropolitan Opera (1927-36). She had a sumptuously textured voice, and her dramatic ability was very impressive, particularly in such roles as Brunnhilde and Isolde.

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